diff --git a/Semantics.Music/Chord.cs b/Semantics.Music/Chord.cs
index e8a521ea..1f37c035 100644
--- a/Semantics.Music/Chord.cs
+++ b/Semantics.Music/Chord.cs
@@ -8,7 +8,7 @@ namespace ktsu.Semantics.Music;
 using System.Linq;
 
 /// <summary>
-/// A chord parsed from a symbol such as "Cmaj7", "Dm7", "E7b9", "Cm7b5", "Cmmaj7", "C6", or "C/G".
+/// A chord parsed from a symbol such as "Cmaj7", "Dm7", "E7b9", "Cm7b5", "Cmmaj7", "C6", "C6/9", or "C/G".
 /// </summary>
 public sealed record Chord
 {
@@ -101,18 +101,51 @@ private static bool TryReadRoot(string symbol, out PitchClass? bass, out string
 		if (slash >= 0)
 		{
 			int bassIndex = 0;
-			if (!TryParseRoot(symbol[(slash + 1)..], ref bassIndex, out PitchClass? parsedBass))
+			if (TryParseRoot(symbol[(slash + 1)..], ref bassIndex, out PitchClass? parsedBass))
 			{
-				return false;
+				bass = parsedBass;
+				head = symbol[..slash];
+			}
+			else
+			{
+				// Not a bass note. The other thing a slash spells is the "six-nine" idiom, where
+				// the "/9" stacks an added ninth on a sixth chord instead of overriding the bass.
+				// Rewrite it and read the result, which may still carry a real slash bass.
+				return TryRewriteSixNine(symbol, slash, out string? rewritten)
+					&& TryReadRoot(rewritten, out bass, out head, out index, out root);
 			}
-
-			bass = parsedBass;
-			head = symbol[..slash];
 		}
 
 		return TryParseRoot(head, ref index, out root);
 	}
 
+	/// <summary>
+	/// Rewrites the "six-nine" idiom — a bare "9" directly after a "6", as in "C6/9" — into the
+	/// equivalent "add9" spelling ("C6add9") that the modifier reader already understands. The
+	/// ninth is an addition there, so it must not imply a seventh the way a bare "9" would.
+	/// </summary>
+	/// <param name="symbol">The chord symbol being read.</param>
+	/// <param name="slash">The index of the slash under consideration.</param>
+	/// <param name="rewritten">The rewritten symbol, or null when the symbol is not the idiom.</param>
+	/// <returns><see langword="true"/> when the symbol was rewritten.</returns>
+	private static bool TryRewriteSixNine(string symbol, int slash, [System.Diagnostics.CodeAnalysis.NotNullWhen(true)] out string? rewritten)
+	{
+		rewritten = null;
+
+		bool sixBeforeSlash = slash > 0 && symbol[slash - 1] == '6';
+		bool nineAfterSlash = slash + 1 < symbol.Length && symbol[slash + 1] == '9';
+
+		// A following digit would make it some other extension ("/91"), not the bare ninth.
+		bool bareNine = nineAfterSlash && (slash + 2 >= symbol.Length || symbol[slash + 2] is < '0' or > '9');
+		if (!sixBeforeSlash || !bareNine)
+		{
+			return false;
+		}
+
+		rewritten = symbol[..slash] + "add9" + symbol[(slash + 2)..];
+		return true;
+	}
+
 	private static bool TryParseRoot(string symbol, ref int index, [System.Diagnostics.CodeAnalysis.NotNullWhen(true)] out PitchClass? root)
 	{
 		root = null;
diff --git a/Semantics.Music/README.md b/Semantics.Music/README.md
index 4de505cd..4fa83190 100644
--- a/Semantics.Music/README.md
+++ b/Semantics.Music/README.md
@@ -22,7 +22,7 @@ Above the single-event types sits an analysis layer that models harmony nested i
 
 - **Pitch and interval types**: `PitchClass`, `Pitch` (MIDI, with name and frequency conversion), `Interval` (signed semitones, cents, folding).
 - **Scales and modes**: `Mode` with roughly 29 presets (diatonic, jazz, symmetric, pentatonic, blues), `Scale` rooting a mode at a pitch class, with `Contains` and `DegreeOf`.
-- **Chord-symbol parsing**: `Chord.Parse` handles triads, sixths, sevenths (including `m7b5` and `mmaj7`), extensions and altered tensions (`9`/`11`/`13`, `b9`/`#9`/`#11`/`b13`), suspensions, power chords, omissions (`no3`/`no5`), and slash bass.
+- **Chord-symbol parsing**: `Chord.Parse` handles triads, sixths, sevenths (including `m7b5` and `mmaj7`), extensions and altered tensions (`9`/`11`/`13`, `b9`/`#9`/`#11`/`b13`), suspensions, power chords, omissions (`no3`/`no5`), the six-nine idiom (`C6/9`), and slash bass.
 - **Chord realization**: `ChordTones()` and `Voice(octave)` / `Voice(octave, inversion)`, plus `Transpose`.
 - **Roman-numeral analysis both directions**: `Key.RomanNumeralOf(chord)` and `Key.ChordFromRomanNumeral(numeral)`.
 - **Rhythm and real time**: rational `Duration`, `TimeSignature`, `Tempo`, and `Note` / `Rest` / `ChordEvent` events that convert to seconds.
diff --git a/Semantics.Test/Music/ChordRoundTripTests.cs b/Semantics.Test/Music/ChordRoundTripTests.cs
index 6f5b72ff..fb990dd3 100644
--- a/Semantics.Test/Music/ChordRoundTripTests.cs
+++ b/Semantics.Test/Music/ChordRoundTripTests.cs
@@ -14,6 +14,7 @@ public class ChordRoundTripTests
 		"C6", "Cm6", "C9", "Cm9", "C11", "C13",
 		"C7b9", "C7#9", "C7#11", "C7b13", "Cadd9",
 		"C/G", "Dm7/G", "F#m7b5", "Bbmaj7",
+		"C6/9", "Cm6/9", "C6/9/G",
 	];
 
 	[TestMethod]
diff --git a/Semantics.Test/Music/ChordTests.cs b/Semantics.Test/Music/ChordTests.cs
index 5eb5417a..edc323f1 100644
--- a/Semantics.Test/Music/ChordTests.cs
+++ b/Semantics.Test/Music/ChordTests.cs
@@ -81,6 +81,61 @@ public void Parse_SlashBass()
 		Assert.AreEqual(7, c.Bass!.Value);
 	}
 
+	[TestMethod]
+	public void Parse_SixNine_IsAnAddedNinthOverASixth_NotASlashBass()
+	{
+		Chord c = Chord.Parse("C6/9");
+		Assert.AreEqual(0, c.Root.Value);
+		Assert.IsNull(c.Bass);
+		Assert.AreEqual(ChordQuality.Major, c.Quality);
+		Assert.AreEqual(SixthType.Natural, c.Sixth);
+		Assert.IsTrue(c.Tensions.HasFlag(ChordTensions.Nine));
+
+		// The ninth is added, so it must not imply a seventh the way a bare "9" would.
+		Assert.AreEqual(SeventhType.None, c.Seventh);
+	}
+
+	[TestMethod]
+	public void ChordTones_SixNine_IsAdd9PlusTheNaturalSixth()
+	{
+		int[] expected = [.. Chord.Parse("Cadd9").ChordTones().Append(9).Order()];
+		int[] actual = [.. Chord.Parse("C6/9").ChordTones()];
+		Assert.AreSequenceEqual(expected, actual, "C6/9 should be Cadd9 plus the natural sixth.");
+	}
+
+	[TestMethod]
+	public void Parse_MinorSixNine()
+	{
+		Chord c = Chord.Parse("Cm6/9");
+		Assert.AreEqual(ChordQuality.Minor, c.Quality);
+		Assert.AreEqual(SixthType.Natural, c.Sixth);
+		Assert.IsTrue(c.Tensions.HasFlag(ChordTensions.Nine));
+		Assert.AreEqual(SeventhType.None, c.Seventh);
+		Assert.IsNull(c.Bass);
+	}
+
+	[TestMethod]
+	public void Parse_SixNine_OverASlashBass()
+	{
+		// The second slash is the bass override; the first is the six-nine idiom.
+		Chord c = Chord.Parse("C6/9/G");
+		Assert.AreEqual(SixthType.Natural, c.Sixth);
+		Assert.IsTrue(c.Tensions.HasFlag(ChordTensions.Nine));
+		Assert.IsNotNull(c.Bass);
+		Assert.AreEqual(7, c.Bass!.Value);
+	}
+
+	[TestMethod]
+	public void Parse_SlashOverANonNoteStillFails()
+	{
+		// Only a bare "9" directly after a "6" is the idiom; everything else after a slash is
+		// still required to be a note letter.
+		Assert.IsFalse(Chord.TryParse("C/9", out Chord? afterNonSix));
+		Assert.IsNull(afterNonSix);
+		Assert.IsFalse(Chord.TryParse("C6/11", out Chord? afterLongerExtension));
+		Assert.IsNull(afterLongerExtension);
+	}
+
 	[TestMethod]
 	public void Parse_RejectsEmpty()
 	{